Or a New and Experimental Discovery of New England Art
Openings and events around the region
Connecticut
- Art Museum, Academy of Saint Joseph
1678 Aviary Ave., Westward Hartford, CT
(860) 231-5399
usj.edu/artmuseum
Due west–Sa 11–4Opening March 25: Feminine Mysteries: Four Works by Ann McCoy, reflects the artist'south longstanding apply of alchemical symbolism and Jungian psychology to accost universal themes, such equally self-knowledge and spiritual transformation. Besides on view, Embracing our Surroundings, explores human interactions with nature and is office of campus-broad programming inspired by the bicentennial of Frederick Law Olmsted's birth.
Milton Avery (American, 1893–1965), Riders in Central Park, watercolor, 14 x 21″ (35.56 x 53.34 cm). Fine art Museum, University of Saint Joseph. Souvenir of the Reverend Andrew J. Kelly, 1937.1.69. At Art Museum, Academy of St. Joseph.
- Fairfield University Fine art Museum
Fairfield Academy
200 Barlow Rd., Fairfield, CT
(203) 254-4046
fairfield.edu/museum
Through June eighteen: Tu–Sa eleven–4Bellarmine Hall Galleries: Adger Cowans: Sense and Sensibility. Cowans (American, b. 1936) is a celebrated photographer whose wide-ranging piece of work includes the civil rights movement, jazz musicians, landscape, and artistic studies of the human form, h2o, and low-cal. This exhibition explores how Cowans uses photography as a vehicle to articulate beauty inside the man condition, and the world in which we live, and features over 50 works. Walsh Fine art Gallery: 13 Ways of Looking at Landscape: Larry Silverish'south Connecticut Photographs. Silver, a Photo League-inspired photographer still working today, moved from New York to Westport, CT, in 1973. With his camera, he began exploring his new regional surroundings, and pushing the boundaries of what mural and looking is and can exist. This exhibition brings together over 40 years of Silver'due south work made of and in Connecticut.
Larry Silver, Sitting at H2o's Edge, Sherwood Isle Land Park, Westport, CT, 2014/2022. Courtesy of the artist and Bruce Silverstein Gallery, New York. ©Larry Silvery. At Fairfield Academy Fine art Museum.
- Gallery on the Greenish
five County Greenish Rd., Canton, CT
(860) 693-4102
robloebell@gmail.com
galleryonthegreen.org
robloebell.com
F–Su ane–5Opening March eighteen: Short Stories, a solo exhibit of forest sculpture by Robert Loebell. Each 'story' is a response to a specific event—Covid, January 6th, a wedding, a safari, an art opening spilling out into the street in Provincetown. Working mostly from personal photographs, the images are carved in different types of wood.
Robert Loebell, Covid Picnic, 2022, bloodwood, maple, oil paint, 11 x 22 10 iv″. At Gallery on the Green.
- Hartford Public Library
500 Main St., Hartford, CT
(860) 695-6300
contactus@hplct.org
hplct.org
Chiliad–Th 9–6, F–Sa ix–vOn view in the library'southward Hartford History Center: Suffragist sculpture by artist Marilyn Parkinson Thrall, funded past the Roberts Foundation, and the award-winning exhibition October 1920: Celebrating the Centennial of Women's Suffrage. Opening May 13 on the ArtWalk: Antiquity by Megyn Craine, a collection of work that mixes mutual materials with diverse concepts—from Alzheimer's to Ancient Greece—to reveal unseen connections and create new layers of meaning from our everyday experiences.
Marilyn Parkinson Thrall, The Art of Perseverance, 2022, mixed media. At the Hartford History Center at Hartford Public Library.
- Hoppin Gallery
71 Main St., Farmington, CT
sshea@farmingtonlibraries.org
farmingtonlibraries.com
Yard, T, Th 9–5, West 11–7, Sa 9–5Out from Under the Stone: Recent Paintings by Grier Torrence, includes people-places-and-things compositions and plein-air paintings as seen on griertorrence.org. Paintings include: Grandparents Day, When I'k 64, Awards, Swans of Winter, Unionville Immigrants, The World Gets Circular, Later the Mountains, Peach Orchard Hill, The Cup That I Drinkable, In the Light of a Different Historic period, In a higher place the Spring, From Hamilton Steps, Reveille, Outdoor Service, and Circling Back. Reception: Saturday, July nine, 11:thirty a.g.–12:30 p.thousand
Grier Torrence, Globe Gets Round, 2020, oil on linen, 54 10 50″. At Hoppin Gallery.
- Kehler Liddell Gallery
873 Whalley Ave., New Haven, CT
(203) 432-0600
kehlerliddellgallery.com
Thursday & F 1–six, Sa & Su 11–five1 of the longest-running fine art galleries in New Haven, KLG is located in the heart of vibrant Westville, and represents over 25 artists. Through May 22: Forest—Wander, featuring oil painter Frank Bruckmann and photographer Roy Money. Depicting foraged objects and favorite places, two artists blaze a trail encouraging all to wander through a metaphorical forest. May 26–June 26: Tom Edwards, Backyard Archaeology, is congenital around both objective and subjective observations of Edward's "lawn" over the final two to 60 years. In What She Left and What She Kept, Sean Gallagher depicts memories of West Cork, Ireland, through the use of heightened and absolute color.
Frank Bruckmann, Laetiporus, oil, 36 x 48″. At Kehler Liddell Gallery. 
Roy Money, Falling Color (detail), 2022, digital archival photograph, 12 10 eighteen″. At Kehler Liddell Gallery. 
Tom Edwards, Backyard Archeology (detail), 2022, oil and colored pencil, 30 ten eighty″. At Kehler Liddell Gallery. 
Sean Gallagher, What She Left and What She Kept, 2021, oil on board, eleven x 14″. At Kehler Liddell Gallery.
- Lyme Academy of Fine Arts
84 Lyme St., Quondam Lyme, CT
(860) 434-5232
info@lymeacademy.edu
lymeacademy.edu
Daily 10–4January xiv–March xviii: Lennart Anderson: A Retrospective. Curated past artistic directors Amaya Gurpide and Hashemite kingdom of jordan Sokol in collaboration with the artist'south manor and the New York Studio School, Lyme Academy will be the 2d venue for this get-go major survey of Lennart Anderson since his expiry in 2015. The exhibition includes over 25 paintings and drawings from both public and individual collections. Anderson was an American artist renowned for his mastery of tone, color, and limerick, and for a educational activity career that influenced future generations of painters.
Lennart Anderson, Portrait of Barbara S. (the starting time one), 1972, oil on sail, 21⅞ ten 18″. Private collection. At Lyme Academy of Fine Arts.
- Mattatuck Museum
144 West Main St., Waterbury, CT
(203) 753-0381 x130
info@mattmuseum.org
mattmuseum.org
Yard–Sa eleven–5, Th eleven–7, Su 11–ivOpening May 20: The Garden features interdisciplinary works by eight artists, addressing the sensory aspects of nature while embodying the artists' emotional journeys over the course of this turbulent decade. The Garden was organized by Wylie Contemporary of Mechanicsville, Virginia.
Chris Gregson, Untitled. At Mattatuck Museum.
- Mercy Gallery
The Loomis Chaffee School
iv Batchelder Rd., Windsor, CT
christian_ryan@loomis.org
loomischaffee.org/arts/mercy-gallery
Due to COVID-xix restrictions, the Mercy Gallery is non open to the public at this time. Exhibitions may be viewed online.Through April 12:Melanie Carr: Deconstructing Constructs. Engaging the gallery as a playground of color, Carr'southward playful, brightly colored pieces question the distinction between sculpture, painting, and design. Opening April 26:Sarah Lutz: String Theory. The Mercy is proud to showcase Sarah Lutz's new collection of colorful organic abstractions in painting, monotype, and textiles.
Sarah Lutz,String Theory IX, 2021, monotype, 22 ten xiv″. At The Mercy Gallery at The Loomis Chaffee School.
- MoCA Westport
19 Newtown Turnpike, Westport, CT
(203) 222-7070
info@mocawestport.org
mocawestport.org
West, F–Su 12–4, Th 12–7MoCA Westport presents the art of today to build a dialogue, affect our perceptions and beliefs, and create transformative experiences. From local to national to international artists, its exhibitions and supporting programming both reflect and critically examine our earth. Opening March 26: Punk is Coming is a diverse group exhibition featuring iconic photographs, sculptures, films, paintings, and works on paper from the Punk era likewise as contemporary works heavily influenced by the motility.
Roberta Bayley, Debbie Harry, photograph, ©Roberta Bayley 2022. At MoCa Westport.
- New Britain Museum of American Art
56 Lexington St., New Britain, CT
(860) 229-0257
nbmaa@nbmaa.org
nbmaa.org
Through May 22: The Poetry of Nature: Hudson River School Landscapes from the New-York Historical Society. A stunning assortment of over xl paintings drawn from the drove of the New-York Historical Society, The Poetry of Nature illustrates America'due south breathtaking splendor as seen through the eyes of over 25 leading Hudson River School artists. Through related programming, the NBMAA volition highlight contemporary perspectives on land utilize, the surround, landscape painting, and what the Hudson River School means today. Plan your visit at nbmaa.org.
Albert Bierstadt (1830–1902), Autumn Woods, Oneida Canton, State of New York, ca. 1886, oil on linen. New-York Historical Gild, Souvenir of Mrs. Albert Bierstadt, 1910.11.
At New Great britain Museum of American Art.
- New Oasis Paint and Clay Club
New Haven, CT
Announcing the 121st Annual Juried Exhibition, May 8–29, at the Ely Center for Contemporary Fine art on 51 Trumbull St, New Haven, CT. Cat Balco volition exist the juror, a renowned exhibiting artist and professor of drawing and painting at Academy of Hartford Art Schoolhouse. Awards in excess of $4,000 with purchase funds for the NHP&CC Permanent Collection. All accepted works will be displayed on newhavenpaintandclayclub.org. Encounter rules and register with onlinejuriedshow.com for submission from February 14–March 20.
- Spectrum Art Gallery and Artisan Store
61 Master St., Centerbrook, CT
(860) 767-0742
events@spectrumartgallery.org
spectrumartgallery.org
Due west–Sa 12–vi, Su 12–5Voted Best Gallery for Fine art/Gifts on the Shoreline in 2021, Spectrum offers painting, mixed media, sculpture, photography, and an Artisans Shop brimming with works in material, glass, pottery, jewelry. May 20–July 10: Clouds, Winds and Breezes: Established and emerging artists explore these elements of nature and their impact on people and the physical world.
Valerie Pettis, Crashing Waves on Rocks, 2022, watercolor on sail. At Spectrum Fine art Gallery.
- Wadsworth Atheneum Museum of Fine art
600 Main St., Hartford, CT
(860) 278-2670
info@thewadsworth.org
thewadsworth.org
Th– Su 12–5Milton Avery is historic as a preeminent modernistic painter and i of the greatest colorists of the 20th century. The get-go large-calibration survey on the creative person in three decades, Milton Avery will exist on view in Hartford March 5–June five, 2022, before its last showing in London. Its presentation at the Wadsworth is a significant homecoming for Avery who has longstanding ties to the museum and the land. Exhibition organized past the Royal Academy of Arts, London in collaboration with The Modern Art Museum of Fort Worth and the Wadsworth Atheneum.
Milton Avery, Hubby and Married woman, 1945, oil on canvas. Wadsworth Atheneum Museum of Art, Souvenir of Mr. and Mrs. Roy R. Neuberger. 1955.142. ©2021 Milton Avery Trust/Artists Rights Society (ARS), New York. At Wadsworth Atheneum Museum of Fine art.
- Yale University Art Gallery
1111 Chapel St., New Haven, CT
(203) 432-0600
artgallery.yale.edu
F 5–viii, Sa–Su ten–6The Gallery's encyclopedic holdings range from ancient times to the present twenty-four hour period and represent cultures from around the globe. Ongoing: Midcentury Abstraction: A Closer Look and Recent Acquisitions. Ongoing: Gilt in America: Artistry, Retention, Power. Please visit the Gallery's website to plan your visit and reserve tickets. Complimentary and open to the public.
Dorothy Dehner,Bone Music #ane, 1949, pen, ink, and watercolor. Yale University Art Gallery, Katharine Ordway Fund. Courtesy Dorothy Dehner Foundation for the Visual Arts. At Yale University Art Gallery.
Maine
- Bates College Museum of Fine art
75 Russell St., Lewiston, ME
(207) 786-6158
bates.edu/museum
M, W ten–7:30; Tu, Th–Sa ten–v; and by engagement. Closed during holidays and between exhibitions.Through March 26: Lesley Dill: Wilderness: Light Sizzles Effectually Me, featuring Dill'due south ongoing investigations, in 2 and three-dimensional wall hangings and sculptures, into the voices and personas of the American past. Dill gives form to and incorporates the words of activists including John Brown, Sojourner Truth, Anne Hutchinson, and Dred Scott. Through March 19:An Adventurous Spirit: The Jane Costello Collection, is art drawn from a significant collection given to the higher of works focused predominantly on artists living and exhibiting in Maine, and with particular strengths in painting and ceramics. Apr fifteen–May 28:Senior Thesis Exhibition 2022, highlighting work selected of graduating seniors majoring in Studio Art.
Lesley Dill,Dred Scott, 2021, acrylic paint on cotton cloth, 100 x sixty″. ©Lesley Dill. At Bates Higher Museum of Art.
- Colby College Museum of Art
5600 Mayflower Loma, Waterville, ME
(207) 859-5629
colby.edu/museum
Tu–Sa 10–v, Su 12–vLocated in Waterville, ME, the Colby Higher Museum of Art inspires connections betwixt fine art and people through distinctive exhibitions, programs, publications, and an outstanding collection that emphasizes American and contemporary art. Through June five:Jacob Lawrence: The Life of Toussaint L'Ouverture. Through April 17:A Poetics of Temper: Lorna Simpson's Cloudscape and Other Works from the Drove. Ongoing: Deed of Sight: The Tsiaras Family Photography Collection. Opening March 31: Sarah Cain: hand in mitt.
Ralph Meatyard, Untitled, c. 1959, gelatin silver impress, 158.2020. At Colby College Museum of Fine art.
- Plant of Contemporary Art at Maine College of Art & Design
522 Congress St., Portland, ME
ica@meca.edu
meca.edu/ica
W–Su 11–5, Thursday 11–sevenMarch 25–May 6: Visions for our Time to come; Echoes of our By. The ICA is pleased to present an exhibition of Indigo Arts Alliance Artists-in-Residence Dianne Smith, Nyugen Smith, and Carl Joe Williams. Indigo Arts Brotherhood of Portland, ME, is an arts center that embodies a Black-led, multiracial approach to the rich intersections of citizenship, community-building, and creativity.
Nyugen Smith, Bundlehouse: Rising Into Something Else Once again, 2021, mixed media on paper, 75 x 95 ten 2″. Courtesy of the artist. Collection of Hudson Valley Museum of Contemporary Art. At Institute of Contemporary Fine art at Maine College of Art & Design.
- Moss Galleries
100 Fore St., Suite B, Portland, ME
(207) 781-2620
liz@elizabethmossgalleries.com
elizabethmossgalleries.com
Portland: M–F eleven–four, Sa by date
Falmouth: Tu–Sa ten–5Portland, March four–April 16: Richard Corking: Sticks & Stones. Opening April 22: Jenna Pirello. Falmouth, March 18–Apr 23: Robert Wieferich & John Knight. Opening Apr 29: Leslie Parke & Meyer Brothers.
Moss Galleries, installation view.
- Saco Museum
371 Main St., Saco, ME
(207) 283-3861
sacomuseum.org
Tu–Th 12–4, F 12–8, Sa x–four
Bank check website for Lord's day hoursThrough April xxx: Creative Spirit, an exhibition by the Maine Art Instruction Clan, features paintings, prints, sculpture, photographs, and fiber arts created by visual art teachers from across Maine. The MAEA is a statewide professional person organisation whose members are committed to excellence in visual arts education. For more information, visit their website at aeforme.org.
Massachusetts
- Ballast Firm of Artists, the New England Visionary Artists Museum
518 Pleasant St., Northampton, MA
(413) 588-4337
artists@anchorhouseartists.org
anchorhouseartists.org
Tu–Sa 1–6 and by appointmentOver 300 affordable artworks by trained and untrained visionary creatives on rotational view at whatsoever 1 time, like the artwork shown hither by Kevin Bouricius (1951–2019), creative person kid of a scientific family whose creative output was shaped by religious readings and dream visions. Friday receptions: May 12 and June nine, 6–8 p.thou.
Kevin Bouricius, Autofest, oil paint/panel. At Anchor Business firm of Artists.
- Art for the Soul Gallery
1500 Main St., second fl., Springfield, MA
(413) 231-4598
artforthesoulgallery@gmail.com
artforthesoulgallery.com
Tu–F 11–5, Sa 12–4, Su by appointment onlyOngoing: Ed Johnetta, master textile and quilt designer. Art for the Soul Gallery will host an exhibition through early spring '22, guest curated by Jonathan Bruce, of newly created museum works by internationally acclaimed material artist Ed Johnetta Miller. Visit artforthesoulgallery.com for programmatic events, or call Jonathan Bruce at (860) 247-8549.
Ed Johnetta Miller. At Art for the Soul Gallery.
- Atlantic Works Gallery
80 Border St., East Boston, MA
(857) 302-8363
contact@atlanticworks.org
atlanticworks.org
F–Sa 2–6 or by engagementMarch 4–April 23: Conditions Altered, work by Dominick Takis and Bo Petran focusing on medium and materials on sail, explores a sense of where nature goes in an environment inverse by human activity, suggesting something that lies beyond, e'er in the process of becoming. Opening reception: Thursday, March 17, 6–nine p.one thousand. Masks and proof of vaccination required. The Atlantic Works Gallery is accepting applications for new members. See atlanticworks.org for details.
Dominick Takis, Thicket (detail), 2021, paint, lichen, spray foam, branches. At Atlantic Works Gallery.
- Beacon Gallery
524B Harrison Ave., Boston, MA
(617) 718-5600
contact@beacongallery.com
F & Sa 12–v, Su xi–four, & by appointmentThrough March thirteen:Malcolm Montague Davis—Retrospective. The offset-ever retrospective of works past Malcolm Montague Davis (1933–2021, American). An builder past training, Davis'south reinterpretations, meticulous details, and eye for color and perspective showcase the legacy of the Bauhaus. Opening March eighteen:The Space Figure features Sima Schloss and Jamal Thorne. Mixed media works explore the e'er-changing nature of self and identity and our relationship to culture and club.
- Boston Sculptors Gallery
486 Harrison Ave.
Boston, MA
(617) 482-7781
bostonsculptors@gmail.com
bostonsculptors.com
Due west–Su 11–5Through March 27: Marilu Swett Draw the Line and Claudia Olds Goldie Letting Get. First Friday, March 4, v–eight:30 p.m. Artists' reception: Saturday, March five, 2–v p.m. Meet & Greet with Marilu Swett 11 a.m.–5 p.m., March eleven, 17 & 20; and with Claudia Olds Goldie eleven a.g.–5 p.thou., March 6, 13, 19 & 27. Opening March 30: Julia Shepley Carry and Kathleen Volp Pointed. Kickoff Fri, Apr one, 5–8:thirty p.g. Artist'due south reception: Sabbatum, April 9, 3–v p.m. Meet & Greet with Julia Shepley 11 a.one thousand.–5 p.grand., April xvi & 24; and with Kathleen Volp 11 a.m.–5 p.k., April 23 & xxx.
Julia Shepley, Ride, 2021, bamboo, wood, wire, acrylic ink, 36 x 32 x vii″. At Boston Sculptors Gallery. 
Kathleen Volp, Matter One and Thing Two, 2022, paper lurid, plaster, acrylic mediums, silicone, 16 x 13 x xi″ (variable). At Boston Sculptors Gallery.
- Brickbottom Gallery
one Fitchburg St., Somerville, MA
(617) 766-3410
gallery@brickbottom.org
brickbottom.org
Th–Sa 12–5March 10–April 9: Connections/Conexiones, 35 gimmicky Cuban printmakers. April 21–May 14: BAA Fellow member'south Exhibition, Diversified Portfolio. Each artist shows the range of diversity within their creativity.
- Bromfield Gallery
450 Harrison Ave., Boston, MA
Friday-Sun, 12-v
(617) 451-3605
info@bromfieldgallery.com
www.bromfieldgallery.com
Due west–Su 12–fiveMay 4–29: Barbara Burgess Maier: Conversions, mixed media paintings and prints whose disparate elements connect in surprising ways. Nina Wishnok: Things Are Getting Dark, prints with layered imagery using woodblock, drawing, ink, and copier toner. Reception: Fri, May 6, vi–8 p.chiliad. June 1–26: Alexandra Sheldon: Holding On, collages focusing on the off-kilter and fragmented, every bit a kind of optimistic prayer. Susan Morrison-Dyke: Modern Artifacts, paintings that find inspiration in sleek mid-century design, along with Cubism and primitive art. Reception: Friday, June 3, vi–8 p.m.
Barbara Burgess Maier, Shifting, 2022, mixed media on canvas, 24 x 36″. At Bromfield Gallery. 
Nina Wishnok, Reddish Lady, 2022, monoprint, half dozen x 6″. At Bromfield Gallery 
Alexandra Sheldon, Holding Steady, 2022, mixed media on paper, eleven ten 14″. At Bromfield Gallery. 
Susan Morrison-Dyke, Blue Tent, 2021, oil collage on museum lath, 44 x 36″. At Bromfield Gallery.
- Cahoon Museum of American Art
4676 Falmouth Rd. (Route 28), Cotuit, MA
(508) 428-7581
info@cahoonmuseum.org
cahoonmuseum.org
W–Su 10–4Opening March 16: The Cahoon Museum of American Fine art invites y'all to experience Activeness/Abstraction Redefined. This dynamic showroom analyzes modern Native American Art from the 1940s through the 1970s. Action/Abstraction Redefined is organized past IAIA Museum of Contemporary Native Arts, Santa Fe, NM. Back up for this exhibition is provided by Art Bridges. Visit cahoonmuseum.org for more information.
Fritz Scholder (Mission/Luiseño), New Mexico #40, 1966, acrylic on canvas, 73½ x 51½". MoCNA Collection, MS-41. At Cahoon Museum of American Art.
- Hold Fine art
37 Lexington Rd., Concord, MA
(978) 369-2578
info@concordart.org
concordart.org
Tu–Sa 10–four:30, Su 12–4Agree Art is celebrating 100 years! Larn more at concordart.org/centennial. Main Galleries, through March 24: Members Juried 2: Collage, Crafts, Cartoon, Graphics, Mixed Media, Photography, juried by Beth Kantrowitz. March 31–May 8: Becoming Trees, curated by Fritz Horstman. Opening reception: Thursday, March 31 at 6 p.one thousand. Members Gallery, through March 24: SHELDON/IMRICH, Alexandra Sheldon and Steve Imrich. March 31–May 1: Among the Trees. Opening reception: Th, March 31 at 6 p.thousand.
Elizabeth Wentworth Roberts, Marketplace, Punta Delgada. At Concord Art.
- Concord Centre for the Visual Arts
37 Lexington Rd., Concord, MA
(978) 369-2578
info@concordart.org
concordart.org
Tu–Sa 11–4, Su 12–4Main Galleries: January thirteen–Feb 13: Members Juried one: Painting + Sculpture, juried by LaiSun Keane. Opening reception and awards: Thursday, January xiii. Opening February 24: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, and Printmaking, juried by Beth Kantrowitz. Opening reception and awards: Thursday, Feb 24. Members Gallery: Jan 13–February 13: When She Was Practiced, Kim Triedman. Artist reception: Th, Jan 13. Opening February 24: Steve Imirch and Alexandra Sheldon. Artist reception: Thursday, February 24.
Nancy Colella, Summertime Kitchen, acrylic, 20 ten 16″. At Concord Eye for the Visual Arts.
- Danforth Art Museum at Framingham Land Academy
fourteen Vernon St.
Framingham, MA, Floor 2
(508) 215-5110
danforthartmuseum@framingham.edu
danforth.framingham.eduThe museum has a permanent collection focusing on American art from the 19th century to the present solar day, with rotating exhibitions of contemporary, regional artists, and a gallery focused on artist Meta Vaux Warrick Fuller. Opening March 26: Suzanne Hodes: The Engaged Image; Five Years of Aspect Initiative/Gimmicky Photography at the Danforth. Meet website for hours and events.
Suzanne Hodes,Approaching the City/Orange Sky, 2006, oil on canvas. Courtesy of the artist. At Danforth Art Museum.
- Fitchburg Art Museum
185 Elm St., Fitchburg, MA
(978) 345-4207
info@fitchburgartmuseum.org
fitchburgartmuseum.org
W–F 12–4, Sa & Su xi–5Through June 5: American Roadsides: Frank Armstrong'southward Photographic Legacy. Through June v: YoAhn Han: In Search of Floral Bodies. Through May 29: Quirky, Beautiful, Ordinary.
Frank Armstrong, Coshocton, OH, 2019, digital print. Courtesy of the artist. At Fitchburg Art Museum..
- Fountain Street Gallery
460C Harrison Ave., Suite ii, Boston, MA
(857) 302-3067
director@fsfaboston.com
fsfaboston.com
Th–Su 12–4, and by appointment.
Visit fsfaboston.com for boosted events and schedule updates.Through March 27: Exploring the Art of Language, juried by Gabriel Sosa, addresses how communication defines our world and understanding of
reality. Reception: March 4, five–8 p.k. March 30–April 24:Outlook. Landscapes by lensman Vicki McKenna and painter Chris Plunkett uncover interest in the everyday. First Friday Art Walk: April 1, 5–8 p.thou.
Vicki McKenna, Flooded Wetland, palladium print, 12 x fifteen″. At Fountain Street Gallery. 
Chris Plunkett,Purple Sky Over Boston, oil on cradled birch wood console, 24 x 36″. At Fountain Street Gallery.
- Gallery Sitka
two Shaker Rd., D101, Shirley, MA
(978) 425-6290
office@gallerysitka.com
gallerysitka.com
Hours by appointmentGallery Sitka is thrilled to introduce a series of Starting time Fridays: March 4: A solo show of new work by Melissa A. Richard. April one: A a solo bear witness filled with new work past Dug Morton. May 6: The Gallery'southward Annual World Twenty-four hours Testify. All events are 4:30–6:xxx p.m. Free and open to the public.
Barbara Groh,Red Sea Grasses, Earth, oil, acrylic on hardboard. At Gallery Sitka.
- Griffin Museum of Photography
67 Shore Rd., Winchester, MA
(781) 729-1158
griffinmuseum.org
Tu–Su 12–4Every bit nosotros thaw out of our winter blues, the Griffin Museum highlights new works and old masters. March 15–April ten:Atelier 35 in the Main Gallery.Philip Sager Veiled Actualities in the Atelier Gallery; Stephen Albair, Silent Scenes in the Griffin Gallery. Jon Chase's Coal Country hangs in the Founders Gallery. Opening April 13:David Levinthal. Griffin satellite Griffin@WinCam highlights Jürgen Lobert's Infralucent Clouds through April 29.
- Hammond Castle Museum
80 Hesperus Ave., Gloucester, MA
(978) 283-2080
info@hammondcastle.org
hammondcastle.org
March: One thousand–Su 10–4, Apr: F–Su 10–ivOpening March 19: PROTECTION: an installation of new paintings and large-scale sculpture by contemporary artist Sarah Dineen exploring the dichotomies between armor and humanity. Painted helmets, shields, tubes, and microphone-copse line the Great Hall of the museum. Free and open up to the public.
Sarah Dineen, Protection from Loss of Voice Helmet (grayness), 2019, acrylic on sheet, 24 x xx″. At Hammond Castle Museum.
- Harvard Art Museums
32 Quincy St., Cambridge, MA
(617) 495-9400
harvardartmuseums.orgThrough April 17: Krzysztof Wodiczko: Portrait examines the state of democracy today through a commissioned artwork past internationally renowned artist Krzysztof Wodiczko. Opening March four: Prints from the Brandywine Workshop and Athenaeum: Creative Communities spotlights innovative prints from a nonprofit cultural institution celebrated for its collaborative and inventive approach. Opening March 4: White Shadows: Anneliese Hager and the Camera-less Photograph explores how the innovative camera-less photography of German creative person Anneliese Hager (1904–1997) relates to science and poetry, in this first exhibition to focus on the role of women makers in the history of the photogram.
Gilbert Stuart (American), George Washington, c. 1795, oil on sail. Harvard University Portrait Collection, Gift of Sidney F. Tyler to the Academy, 1969, H631. At Harvard Art Museums. 
Odili Donald Odita, Cutting, 2016, commencement lithograph on white wove paper. Harvard Art Museums/Fogg Museum, Margaret Fisher Fund, 2018.33.44. ©Odili Donald Odita. At Harvard Art Museums. 
Anneliese Hager, Untitled (Portrait A. H.), 1947, gelatin silver print (photogram). Harvard Fine art Museums/Busch-Reisinger Museum, Gift of the High german Friends of the Busch-Reisinger Museum, 2018.313. ©Estate of Anneliese Hager. At Harvard Fine art Museums.
- Inner Infinite Fine Arts
189 Chief St. (Rt 28), Northward Reading, MA
(978) 223-8438
innerspace.finearts@gmail.com
innerspace-fineart.com
W one–five, Th–F ane–six, Sa–Su 12–4Opening Apr 2:Juni Van Dyke, Carolyn Latanision, and Paul J. Noel: Color Play, the emotional power of colour and lite uniquely expressed in abstract and naturalistic works in oil, acrylic, and watercolor. Inner Space Fine Arts is thrilled to feature these prominent New England artists for its first group show of the year. Please join them for the opening reception: Sat, April ii, v–7 p.1000.
- Iris & B. Gerald Cantor Art Gallery
College of the Holy Cantankerous
O'Kane Hall, 1 College St., Worcester, MA
(508) 793-3356
holycross.edu/cantorartgallery
M–F 10–5, Sa & Su 12–5March 10–April x: In Procedure: Experimental Photography from the Collection of Mark Nevins '86. This exhibition comprises piece of work from the past few decades, by a group of artists who are exploring the medium and technologies of photography in a diverseness of means; reconsidering the part of lite, materiality, color, and discipline, to beautiful and often enigmatic results. For over a decade, Holy Cross alumnus Marker Nevins has been edifice this collection, which includes works by Abelardo Morell, Marco Breuer, Jessica Eaton, Alison Rossiter, Hiroshi Sugimoto, and others.
Bryan Graf, Random Walk 5, Nov, 2013, chromogenic photogram, 44 x 30″. At Iris and B. Gerald Cantor Art Gallery.
- Jane Deering Gallery
xix Pleasant St., Gloucester, MA
(917) 902-4359
info@janedeeringgallery.com
janedeeringgallery.com
F, Sa, Su 1–5 & past appointmentJDG presents contemporary fine art by national and international artists, established and emerging. Several months of the twelvemonth the gallery donates exhibition space to artists through its projects The Lacuna and The Flat File Project (contact the gallery for info). March: gallery is closed. Apr: The Experimental Group | fifteen gimmicky artists exploring diverse media
Steve Lush, Around Rockport, 2022, oil on canvas, 16 ten 20″. At Jane Deering Gallery.
- Kingston Gallery
450 Harrison Ave., No. 43
Boston, MA
(617) 423-4113
kingstongallery.com
info@kingstongallery.com
W-Su 12-fiveMarch 2–27: Opening reception: Friday, March iv, v–8 p.g. Book launch event: Julie Due south. Graham: three Visual Books, Dominicus, March 6, 3–five p.m. The Chief and Center Galleries: Boundaries/Borders: A Juried Group Fellow member's Exhibition. Artists include Ilona Anderson, Bonnie Donohue, Susan Greer Emmerson, Randy Garber, Meagan Hepp, Ponnapa Prakkamakul, and Luanne E Witkowski. The Project Space Gallery: Julie S. Graham: Visual Books. March 30–May 1: Opening reception: Friday, April one, 5–8 p.m. Main Gallery: Stacey Cushner: Tomorrow's Yesterdays. Center Gallery: Dianna Vosburg: Arrival. Project Space Gallery: Judith Brassard Brown: Around the Bend.
Dianna Vosburg, Flash Blindside, 2021, oil on linen, xvi x 36″. At Kingston Gallery. 
Judith Brassard Brown,Dance Under the Night Sky, 2021, oil on canvas, 24 x 24″. At Kingston Gallery.
- Cracow Witkin Gallery
x Newbury St., Boston, MA
(617) 262-4490
Info@krakowwitkingallery.com
krakowwitkingallery.com
Tu–Sat 10–five:30March 3–April nine: León Ferrari: Heliografía. March 3–Apr xiv: Richard Artschwager, John Baldessari, William Kentridge, Kiki Smith and Liliana Porter: Interiors.
León Ferrari, Espiral (Spiral), 1983/2008, Diazotype on paper, newspaper size: 23 ten 23″ (58.4 x 58.4 cm), frame size: 26 x 25½" (66 10 64.viii cm). Signed, numbered, and dated in ink lower left. Printed in image "21 Espiral c. 1983" lower left. At Krakow Witkin Gallery.
- Milton University: Nesto Gallery, Art & Media Center
170 Heart St., Milton, MA
(617) 898-1798
milton.edu/arts/nesto-gallery
M–F 9–four (open up only to Milton Academy community, closed on school holidays)
Virtual Exhibition—milton.edu/exhibitMarch 3–April 22: The Essence Nosotros Go out Behind—Heather Lynn Johnson. Johnson'due south poetry and paintings are characterized past their lyricism, cultural critique, and willingness to lay bare her existence as a butch Black lesbian. With an emphasis on objectification and lost histories, Johnson uses an autobiographical framework and considers her paintings as self-portraits.
- MIT List Visual Arts Center
20 Ames St., Cambridge, MA
(617) 253-4680
listinfo@mit.edu
listart.mit.edu
Tu 12–6, West–Th 12–7, F–Su 12–sixOpening March 10:List Projects 24: Sharona Franklin. Opening March 24:Raymond Boisjoly: The Explanatory Void. Opening March 24:Matthew Angelo Harrison: Robota. The List Center galleries and programs are always free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their near up-to-date visitor data.
Matthew Angelo Harrison, Headdress, 2021. ©Matthew Angelo Harrison. Courtesy of the artist and Jessica Silverman. Photograph: Timothy Johnson. At MIT List Visual Arts Center.
- Montserrat College of Fine art Galleries
23 Essex St., Beverly, MA
(978) 921-4242
gallery@montserrat.edu
montserrat.edu/galleries
Please check gallery hours before visitingThrough March nineteen, Carol Schlosberg Alumni Gallery: Re-Viewing the By: Paul Emmanuel, Maya Erdelyi, Dell Yard. Hamilton, Dave Ortega, and Hashemite kingdom of jordan Seaberry. Through Apr ix, 301 Frame Gallery: Gabriel Sosa: Today'south Specials. April xiii–May 14, all galleries: 2022 Senior Thesis Exhibitions.
Maya Erdelyi, nevertheless from Pareidolia, 2012, blitheness brusk. At Montserrat College of Fine art Galleries.
- Museum of Russian Icons
203 Union Street
Clinton, MA
978.568.5000
info@museumofrussianicons.org
www.museumofrussianicons.orgThe Museum of Russian Icons exhibits the most all-encompassing drove of Russian icons and sacred art in the U.S. Ongoing through bound 2022: Icons for Our Time: Orthodox Art from Effectually the World, 15 contemporary icons from xv countries that explore iconography today.
Todor Mitrovic, The Secret Supper (or The Concluding Supper), 2006, egg tempera on wood panel, Serbia. At Museum of Russian Icons.
- New Fine art Eye
245 Walnut St., Newton, MA
(617) 964-3424
info@newartcenter.org
newartcenter.org
M–F ix–5Opening March 16: New Art's next exhibition in the BIPOC Curatorial Programme. Fine art as Salve, curated by Ashleigh Coren, focuses on fine art as healing justice. The exhibit asks the question—How might art function as a holistic intervention for survivors of generational trauma and violence? What would happen if fine art were used as a symbol for care? Join them at the New Art Corridor, March 16–May 31, 2022.
- Peabody Essex Museum
161 Essex St., Salem, MA
(978) 745-9500
pem.org
Th, Sa, Su 10-5, Fr x-7
Open holiday MondaysThrough May 8: Each/Other: Marie Watt and Cannupa Hanska Luger features the work of two leading Indigenous contemporary artists whose processes focus on collaborative artmaking, customs engagement, materials, and the land. Organized past the Denver Art Museum, the exhibition features 26 mixed media sculptures, wall hangings, and large-scale installation works past Watt (Seneca and German-Scots) and Luger (Mandan, Hidatsa, Arikara, Lakota, and European).
Marie Watt (Seneca and German-Scots) and Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota
and European), Each/Other, 2020–21, as installed at the Denver Fine art Museum, steel, wool, bandanas, and embroidery thread. Courtesy of the artists. At Peabody Essex Museum.
- Piano Craft Gallery
793 Tremont St., Boston, MA
(262) 215-7140
artpcgboston@gmail.com
pianocraftgallery.com
F half dozen–8, Sa & Su 12–5Opening April 1: Pell Lucy: In Praise of Form, a group exhibition featuring artists from the Pell Lucy art commonage. Artists: Tracey Adams, Deborah Barlow, Mi-Jin Chun, Lookout man Dunbar, Tina Feingold, Karen Fitzgerald, Laura Gurton, Lynette Haggard, Joseph Hayes, Carole Kunstadt, Joanne Lefrak, Denise Manseau, Diane McGregor, Elizabeth Mead, Kellin Nelson, Paula Overbay, Laura Ann Perry, Gerri Rachins, Taney Roniger, Julie Shapiro, Sarah Slavick, Rhonda Smith, Priya Vadhyar, Debra Weisberg.
Deborah Barlow, Kasetti 2v2, mixed media on sheet, 60 x 60″. At Piano Craft Gallery.
- Robert Klein Gallery
38 Newbury St., Suite 402, Boston, MA
(617) 267-7997
enquiry@robertkleingallery.com
robertkleingallery.com
Tu–Sa by appointmentOpening April 9: Lois Conner: Flat Earth. Penumbra Foundation is pleased to present a solo exhibition by renowned New York Metropolis-based artist Lois Conner, showcasing a option of 23 multi-panel landscapes and 17 vintage platinum prints. Conner has been photographing in Asia, Europe, and America since the 1980s. Her photographs are astounding in their composition and detail, and confirm the possibility of an image that is both specific and full general in regards to fourth dimension, place, and history. Inspired by hand-curl Chinese paintings and seduced by the exquisite tonal and quality reproduction of the platinum press process, Conner'southward meticulous contact-printing practice suggests simplicity, yet information technology conceals the complex technical and formal decisions she makes with remarkable clarity of purpose.
Lois Conner, Flat Globe, installation view. At Robert Klein Gallery.
- South Shore Art Eye
119 Ripley Rd., Cohasset, MA
(781) 383-2787
info@ssac.org
ssac.org
M–Sa 10–4South Shore Art Centre's Bancroft Gallery, through April 2:One of a Kind, a juried show by the Monotype Gild of New England. Gallery Artist SPOTLight: Denise Byrnes Graham. Opening April 7: Catch-22, a national juried evidence. Gallery Artist SPOTLight: Nancy Colella.
- Springfield Museums
21 Edwards St., Springfield, MA
springfieldmuseums.org
Tu–Sa 10–5, Su xi–5One access: five museums, including the Astonishing World of Dr. Seuss Museum. Through May ane: Front Row Heart: Icons of Rock, Blues and Soul. Ongoing: Capturing Our Worlds: New Work by the Springfield Photographic Society. Ongoing in the Dr. Seuss Museum: Original fine art by Theodor Seuss Geisel, aka Dr. Seuss.
Larry Hulst, Jimi Hendrix at the Golden Bear Raceway, Cal Expo, April 26, 1970, photograph, courtesy of the artist. At Springfield Museums.
- The Guild of Boston Artists
162 Newbury St., Boston, MA
(617) 536-7660
bostonguild@gmail.com
guildofbostonartists.org
Tu–Sa 10:30–five:30April 2–30: Living Tradition: Students of R.H. Ives Gammell volition feature two prominent works from Gammell'southward career alongside 35 paintings and pastels by past and nowadays Order members who studied with the late master. Gammell'south unique atelier model has been adopted in the contemporary teaching studios of many of his students, who proceed this painting tradition both here and abroad. Opening reception: Sat, April 2, iii–5 p.m.
Robert Hale Ives Gammell (American, 1893–1981), Bathsheba, 1931, oil on canvas, 54½ x 44¼". Collection of Michael and Nancy Grogan. At The Guild of Boston Artists.
- The New England Quilt Museum
18 Shattuck St., Lowell, MA
(978) 452-4207
neqm.org
Tu–Sa ten–4
Admission: $9, children and members: FreeThe but institute in the Northeast solely dedicated to the art and craft of quilting. Information technology'southward the second-oldest quilt museum in the U.S. Ongoing: Forest Quilts, a new series of forest sculptures inspired by traditional and contemporary quilts past Laura Petrovich-Cheney. These quilts are fabricated with reclaimed materials collected from homes destroyed in environmental disasters. NEQM houses special and permanent exhibits, a library, a museum shop, and classrooms. Visit NEQM.org.
Laura Petrovich-Cheney. At New England Quilt Museum.
- Iii Stones Gallery
115 Commonwealth Ave., Concord, MA
(978) 254-5932
info@threestonesgallery.com
threestonesgallery.com
Tu–F 10–6, Sa & Su 12–5January iv–Feb 20: Epiphany. The Gallery delights in a moment of sudden revelation and insight from three inspired artists: Michele Lauriat'southward elaborate worlds on paper; Fay Senner'south mixed media abstracts; and Wendy Gonick's whimsical collages from retro postcards. The show also features new works by familiar artists. Opening reception: Thursday, January xiii, v:30–7:xxx p.chiliad. (Masks and proof of vax required.) Check website for updates regarding reception engagement due to weather or COVID restrictions.
Lynne Klemmer, Bloomdido, 2021, mixed media, 24 x 52″. At Three Stones Gallery.
- Worcester Art Museum
55 Salisbury St., Worcester, MA
(508) 799-4406
worcesterart.org
West–Su 10–4Ongoing: Us Them We | Race Ethnicity Identity—More than 40 contemporary artists explore various perspectives on identity. Through March 13: Dearest Stories from the National Portrait Gallery, London—an exploration of love'due south function in the creation of some of the greatest masterpieces of Western art.
Byron Kim (American), Synecdoche, 1992–1998, wax and oil on panel. Collection of Noel Kirnon. ©Byron Kim 2022. Epitome courtesy of the artist and James Cohan, New York. At Worcester Art Museum.
RHODE Isle
- Bannister Art Gallery at Rhode Island College
600 Mt. Pleasant Ave., Providence, RI
(401) 456-9765
bannistergallery@ric.edu
ric.edu/bannister
M–F 12–8 or by dateThrough March xviii:Doug Bosch: Apparati. Art and science collide in this exhibition by Doug Bosch, who draws upon the aesthetics of early-age science to stage hybrid sculptures. March 31–Apr 22: The Emerging Image: Kamini Avril and William Tucker. Widely respected equally a modernist sculptor, Tucker will showcase smaller-scale bronze sculptures aslope Avril, a one-time Guggenheim fellow and celebrated painter.
- Chazan Gallery at Wheeler
228 Angell St., Providence, RI
(401) 528-2227
info@chazangallery.org
chazangallery.org
One thousand–F 3–vi, Sa xi–iv, Su 12–4 and by appointmentThrough November ten: Enigmatic Space, works past Mara Metcalf, Kristin Street, Tina Tryforos. November 18–December 8: John Udvardy, Sculpture (solo show). Reception: Thursday, November 18, 5–8 p.thou.
- Jamestown Arts Center
18 Valley St., Jamestown, RI
(401) 560-0979
info@jamestownartcenter.org
jamestownartcenter.org
Westward, F, Sa 11–iii, Th 11–7March xviii–May vii: RAW: Reassessment and Wonder explores work by 10 artists who have recently fabricated radical shifts in their practice—from materials and techniques to against cultural, personal, and social identities. Curated by Danielle Ogden. The JAC is a leading arts and cultural space in Rhode Island supporting emerging and established artists through exhibitions and programming.
ML Kirchner, The Phoenix, Frederick, 2020, archival ink on Hahnemuhle photo rag newspaper. At Jamestown Arts Eye.
Vermont
- Brattleboro Museum & Fine art Center
10 Vernon Street
Brattleboro VT 05301
802-257-0124
www.brattleboromuseum.org
Due west–Su ten–4 (Closed Monday and Tuesday)Through February thirteen: Guild of Vermont Furniture Makers: Evolving Traditions. Natalie Frank: Painting with Paper, B. Lynch: Pull Back the Curtain. Opening Feb 19: 2022 Vermont Scholastic Art & Writing Awards. Ongoing: Vermont Glass Guild: Inspired by the Past, William Ransom: Keep Upwardly/Hold Upwardly, Michael Abrams: Arcadia Rediscovered.
Natalie Frank,Woman with Iguana, 2020, linen paper pulp on cotton base of operations sheet, 28 10 21″. Courtesy of the creative person and Salon 94, New York. © Natalie Frank. At Brattleboro Museum & Fine art Center. Facebook | Instagram
- Burlington Metropolis Arts
135 Church St., Burlington, VT
burlingtoncityarts.org
(802) 865-7166
W–F 12–five, Sa 12–8Through February 5, 2022:Bradley Borthwick: Objects of Empire—A sculptural installation evolving from the artist's enquiry of the Dorset marble quarry of Vermont, featuring hand-carved facsimiles of headstone and amphora, as well as several beeswax models.Unbound—iii New England artists explore gimmicky approaches to abstraction as it relates to architecture, space, and materials. Artists are united past their use of geometric, shaped forms that push outside the boundaries of the ubiquitous rectangle.
Kirsten Reynolds,The Slightest Shift, 2020, wood, paint, x.v 10 25 ten 15′. Photo: Will Howcroft. At Burlington City Arts.
- Hall Fine art Foundation
544 VT Road 106, Reading, VT
vermont@hallartfoundation.org
hallartfoundation.org
Through November 28, weekends, 11–iv, self-guided toursThe Hall Art Foundation presents exhibitions of postwar and contemporary fine art. On view through November 28:Deep Blueish, curated by Katherine Bradford; Katherine Bradford: Philosophers' Clambake; with Clark Derbes: Time Travelers and Portals. Advance reservations recommended, though not required. Admission $ten.
- Long River Gallery
49 S Master St., White River Junction, VT
(802) 295-4567
art@longrivergallery.com
longrivergallery.com
W–Sa 11–5, Su xi–iiiFine art and craft made in Vermont and New Hampshire. Opening December one: By & Present—Textural Scottish Landscapes. Using traditional and experimental techniques, Julie Crabtree'southward fiber artwork incorporates many layers of stitching, painted dyed backgrounds, distressed fabrics, and mixed mediums. Inspired by nature in all its forms to create a textural interpretation of the environment.
Julie Crabtree, Traigh Mhor Lewis Coastline, fiber art, 12 x xx″. At Long River Gallery.
- Studio Place Arts
201 N Main St., Barre, VT
(802) 479-7069
studioplacearts.com
W–F eleven:30–5, Sa 11:30–4January 26–March 5, Primary Gallery: Face Information technology—work by 30 artists. 2nd floor: What the machines told me by Ned Richardson. 3rd floor: Call and Response past The Photographers Workroom. For information nearly four exhibits at SPA and ii off-site SPA exhibits nearby, visit studioplacearts.com. SPA is a working art centre with contemporary art exhibits, creative person studios, and a classroom for educational activities.
August Burns, Study in Bluish Light, oil on linen, 12 x xv″. At Studio Place Arts.
- The Current
90 Pond St.,Stowe, VT
(802) 253-8358
thecurrentnow.orgOpening January 19: Catherine Opie. In this solo exhibition, Opie investigates the parallels betwixt natural and political landscapes, and their connections to our sense of identity and community. Large calibration photographs of swamps, national parks, and other abstracted iconic landscapes are both gorgeous documentations and a quiet plea for environmental preservation. Encounter the website for the listing of public programs.
Courtesy of the creative person Catherine Opie and Lehmann Maupin, New York, Hong Kong, Seoul and London and Regen Projects, Los Angeles. At The Electric current.
NEW HAMPSHIRE
- 3S Artspace
319 Vaughan St., Portsmouth, NH
(603) 766-3330
info@3sarts.org
3sarts.org
Th–Sa x–6, Su 12–5Opening November 19:A Quiet Reach. Daniel Minter's work raises awareness of the forced removal in 1912 of an interracial community on Maine's Malaga Isle. "My work regarding the story of Malaga Island has been a process of learning and telling, telling and showing, showing and feeling." Opening Nov xix:Vision and Visibility. Piece of work by emerging, New England-based, BIPOC artists presented past 3S Artspace and Blackness Heritage Trail of New Hampshire. Free and open to the public.
Daniel Minter, Governor's Tea, 2019, acrylic on canvass and wood, 42 10 lx″. At 3S Artspace. 
Left to right: Cynthia Velásquez-Owens, Fruits of My Labor, 2021, mixed media clay, 9.5 x five x four″. Laura Di Piazza, Georgia Blossom, 2021, giclée print. Jasmine Milton, Trey, 2021, acrylic on canvas, 16 x xx″. At 3S Artspace.
- Currier Museum of Art
150 Ash St., Manchester, NH
(603) 669-6144
visitor@currier.org
currier.org
Th 10–8, F–Su 10–fiveRanging from the Renaissance to the present, the Currier Museum collection includes major works past Ruisdael, Bierstadt, Monet, Picasso, Matisse, Hopper, Wyeth, Mitchell, and many others. The galleries are changed regularly to highlight themes from the collection. Special exhibitions are always on view, visit Currier.org for details. Opening March 31: Warhol Screen Tests. Opening Apr 14: Arghavan Khosravi.
Arghavan Khosravi, The Uncertainty, 2020, acrylic on constitute cloth and cotton sail over woods panel, leather cord, 39 10 61½. Courtesy of the artist. ©Arghavan Khosravi, 2021. At Currier Museum of Art.
- Hood Museum of Art, Dartmouth
6 E Wheelock St., Hanover, NH
hood.museum@dartmouth.edu
hoodmuseum.dartmouth.edu
W 11–5, Th–F xi–8, Sa i–5
Free and open up to allOngoing: Thornton Dial: The Tiger True cat. In 2021, the Hood Museum of Art acquired x artworks from the Souls Grown Deep Foundation, including the three by Thornton Dial that form Thornton Dial: The Tiger Cat. This exhibition asks us to consider the ways in which Dial's work broadens our understanding of American fine art.
Thornton Dial, Heaven and Hell on Earth, 1995, mixed media. Purchased through the Evelyn A. and William B. Jaffe 2015 Fund; 2021.eleven.2. ©2021 Estate of Thornton Dial/Artists Rights Club (ARS), New York. At Hood Museum of Art.
- Kelley Stelling Contemporary
@ Kimball Jenkins
266 Due north. Main St., Agree, NH
(603) 225-3932
kimballjenkins.com
kelleystellingcontemporary.com
One thousand–F 9–4Opening November 20: Contemporary installation mingles with Victorian extravagance in The Dysfunction of Social Practice presented by Kelley Stelling Contemporary at Kimball Jenkins. Artists include Zach Dewitt, Emmett Donlon, Rosemary Mack, Heather Morgan, and Meghan Samson. Clay, paint, miniatures, and a performative mouse circus blend for a lively journey through the mansion. Benefit Functioning past NH Dance Collaborative on Thursday, Dec 2. Find tickets at Kimball Jenkins website.
- Lamont Gallery
Phillips Exeter Academy
11 Tan Ln., Exeter, NH
(603) 777-3461
gallery@exeter.edu
exeter.edu/lamontgallery
Reservations requiredThrough Dec eighteen: Forces in Motion: Gordon D. Chase. Artist and educator Gordon D. Chase asks big questions in dynamic ways; through intensely gestural paintings, powerful blackness-and-white drawings, or piercingly angular sculpture. Chase creates art with a social conscience to exam our assumptions about how we affect—and are affected by—the world we share. Visit their website for more than information and to brand a reservation.
Source: https://artnewengland.com/exhibitions/
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